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Dr Corinne Jola

  • Role: Lecturer
  • Division: Division of Psychology
  • Department: School of Social & Health Sciences
  • Telephone number: +44 (0)1382 308756
  • Email: c.jola@abertay.ac.uk

Research

My main research interest is how dance affects us. Dance is an universal phenomenon with manifold functions. Studying the cognitive, neuronal, physiological, and psychosocial mechanisms in response to either watching dance or participating in dance can provide us extraordinary theoretical and applied insight into the human brain and behaviour.

Over the last ten years, I studied cognitive and neuronal responses to watching dance. I am interested in studying how we perceive and represent the body and its movements, in particular in relation to the performing arts and I am fascinated by the effects dance participation has on the way we perceive ourselves and the world around us.   

To study the aesthetic perception of dance moves, I use behavioural experiments, qualitative research as well as brain imaging (fMRI) and transcranial magnet stimulation (TMS), see for example www.watchingdance.org. Previously, I have also employed electroencephalography (EEG) to study visuospatial and tactile perception and attention.

Overall, I am intrigued by how research methods relate to their outcomes - equally, how specific artistic practices link to artists works. It is of no surprise that I see the future in interdisciplinary research and that my current research emphasises neuroscientific measures and subjective experiences. 

Where possible, I base my research on embodied practices, hence, I call it 'embodied neuroscience'. See also my personal homepage on www.CoCoDanse.com.

Recently, with a link to perception and physical activity, my research has further expanded in the fields of food (e.g., Cognitive and behavioural neuroscience of appetite and food choices, psychological, and sensory and physiological influences on appetite and food choices, psychology and ethnography of dietary habits and related contents).

Teaching

In Semester Term 1 of 2015/2016, I am co-teaching with Kenneth Brown and George Lovell on the modules "Biological and Cognitive Psychology" (PS0802a), as well as the Masters Cognitive Psycho/logy (PS1113a). I also regularly contribute to lectures in Applied Psychology (PS0924a). 

In Semster Term 2 of 2015/2016 I will again be leading the 3rd year module "Individual Differences" (PS0906A) and co-teach on the 3rd year Research Methods in Psychology module (PS0911A), supervise students honours' projects (PS1111A), and co-teach on the Masters Core Module Individual Differences (PS1114A) and more.

Office Hours for Winter 2015/2016: By Appointment in Meeting Room A, Psychology 5th Level. My schedule is normally filling up 2-3 weeks in advance, so please plan accordingly.

Publications

Publications in peer reviewed Journals 2016

Reason, M., Jola, C., Kay, R., Reynolds, D., Kauppi, JP., Grosbras, MH., Tohka, J., Pollick, F. (2016). Spectators' aesthetic experience of sound and movement in dance performance: a transdisciplinary investigation. Psychology of Aesthetics, Creativity, and the Arts, 10(1), 42-55.

Hieke, S.,  Palascha, K., Jola, C., Wills, J. W., Raats, M. M. (2016). The pack size effect: influence on consumer perceptions of portion sizes. Appetite, 96, 225-238.

Bachrach, A., Jola, C., Pallier, C. (2016). Neuronal bases of structural coherence in contemporary dance observation. NeuroImage, 124(Pt A), 464-472.

2015

Herbec, A., Kauppi, J-P., Jola, C., Tohka, J., Pollick, F. E. (2015). Differences in fMRI intersubject correlation while viewing unedited and edited videos of dance performance. Cortex, 71, 341–348.

Grabherr, L., Jola, C., Berra, G., Theiler, R., & Mast, F.W. (2015). Motor imagery training improves precision of hand movement in hemiparetic patients. NeuroRehabilitation. 36, 157–166.

Raats, M. M., Hieke, S., Jola, C., Hodgkins, C., Kennedy, J., Wills, J. (2015). Reference amounts utilised in front of package nutrition labelling; impact on product healthfulness evaluations. European Journal of Clinical Nutrition, 69, 619-625.

2014

Jola, C., Pollick, F.E., & Calvo-Merino, B. (2014) “Some like it hot”: spectators who score high on the personality trait openness enjoy the excitement of hearing dancers breathing without music. Front. Hum. Neurosci. 8:718.

Noble, K., Glowinski, D., Murphy, H., Jola, C., McAleer, P., Darshane, N., Penfield K., Camurri, A., Pollick, F. E. (2014). Event segmentation and biological motion perception in watching dance. Art & Perception, 2(1-2), 59-74.

2013

Jola, C., Grosbras, M.-H. (2013). In the here and now. Enhanced motor corticospinal excitability in novices when watching live compared to video recorded dance. Cognitive Neuroscience.

Jola, C., McAleer, Ph., Grosbras, M.-H., Love, S.A., Morison, G., Pollick, F.E. (2013). Uni- and multisensory brain areas are synchronised across spectators when watching unedited dance. i-Perception, 4, 265–284.

2012

Jola, C., Ehrenberg, S., Reynolds, D. (2012). The experience of watching dance: phenomenological-neuroscience duets. Phenomenology and the Cognitive Sciences, 11(1), 17-37.

Jola, C., Abedian-Amiri, A., Kuppuswamy, A., Pollick, F. & Grosbas, M.-H. (2012). Motor simulation without motor expertise: enhanced corticospinal excitability in visually experienced dance spectators. PLoS ONE. 7(3): e33343.

Blaesing, B., Calvo-Merino, B., Cross, E., Jola, C., Honisch, J., Stevens, C. (2012). Neurocognitive control in dance perception and performance. Acta Psychologica, 139(2), 300-308.

2011

Jola, C., Davis, A., Haggard, P. (2011). Proprioceptive integration and body representation: insights into dancers’ expertise. Experimental Brain Research, 213(2-3), 257-265.

Jola, C., Grosbras, M.-H., Pollick, F. E. (2011). Arousal decrease in ‘Sleeping Beauty’: audiences’ neurophysiological correlates to watching a narrative dance performance of 2.5 hrs. Dance Research Electronic. 29.2, 378–403.

Nordin, S. M., Walker, I. J., Baker, J., Garner, J., Hardy, C., Irvine, S., Jola, C., Laws, H., & Blevins, P. (2011). Injury, imagery and self-esteem in dance. Healthy minds in injured bodies? Journal of Dance Medicine & Science, 15(2), 76-85.

2009

de Vignemont, F., Majid, A., Jola, C., & Haggard, P. (2009). Segmenting the body into parts: evidence from biases in tactile perception. Quarterly Journal of Experimental Psychology, 62, 500-512.

2008 and before

Calvo-Merino, B., Jola, C., Glaser, D. E., & Haggard, P. (2008). Towards a sensorimotor aesthetics of performing art. Consciousness and Cognition, 17, 911-922.

Jola, C., & Mast, F. W. (2005). Mental object rotation and egocentric body transformation: two dissociable processes? Spatial Cognition and Computation, 5, 217-237.

Knauff, M., Strube, G., Jola, C., Rauh, R., & Schlieder, C. (2004). The psychological validity of qualitative spatial reasoning in one dimension. Spatial Cognition and Computation, 4, 167-188.

  Book Chapters 2016

Jola, C., & Calmeiro, L. (in press). The dancing queen: Explanatory mechanisms of the ‘feel-good-effect’ in dance. In S. Lycouris, V. Karkou, and S. Oliver (Eds.). The Oxford Handbook for Dance and Wellbeing. Oxford University Press.

Jola, C. (in press). Scientists-Performance Artists-Audiences. Different modes of meaning making. In P. Philippe-Meden & V. Roche (eds). Neuroscènes (collection L'esprit et la cité). Editions Connaissances et Savoirs. 

Lippi, D., Jola, C., Jacono, V.-E., & Sofia, G. (in press). Steps towards the art of placing science in the acting practice. A performance-neuroscience perspective. In Z. Kapoula (ed). Aesthetics, Art and Science - A French perspective. CNRS publication. Springer.

Jola, C. (in press). Choreographing science: Synopsis of dance and cognitive neuroscience. In B. Bläsing, M. Puttke, & Th. Schack (Eds.), The neurocognition of dance. Mind, movement and motor skills (2nd Edition). Psychology Press: Hove, UK.

Jola, C. (2016). The magic connection: Dancer-audience interaction. In U. Eberlein (ed). Zwischenleiblichkeit und bewegtes Verstehen - Intercorporeity, Movement and Tacit Knowledge, pp. 269-287. Bielefeld: Transcript Verlag.

Jola, C., & Reason, M. (2016). Audiences’ Experience of Proximity and Co-Presence in live Dance Performance. In C. Falletti, G. Sofia and V. Jacono (Eds.) Theatre and Cognitive Neuroscience. Edition Performance and Science: Interdisciplinary Dialogues, p. 75-92. London/NY: Bloomsbury Methuen Drama.

2015

Christensen, J. F. & Jola, C. (2015). Towards Ecological Validity in the Research on Cognitive and Neural Processes Involved in Dance Appreciation. In M. Nadal, J. P. Huston, L. Agnati, F. Mora, and C. J. Cela-Conde (Eds). Art, Aesthetics, and the Brain. Chapter 12, pp. 223 - 253. Oxford University Press. 

2013

Jola, C. (2013). Do you feel the same way too? Gabriele Brandstetter, Gerko Egert, Sabine Zubarik (Eds). Touching and to be touched. Kinesthesia and Empathy in Dance. DeGruyter: Berlin.

2012

Pollick, F. E., Jola, C., Petrini, K., McKay, L. S., McAleer, Ph., Jang, S. H., MacLeod, Chr., & Simmons, D. (2012) Experience and the perception of biological motion. Chapter 9, Part 3: Perception and Indivicual Differences, in K. L., Johnson, & M. Shiffrar (Eds). People Watching. pp 139-158. Oxford University Press. 

2011

Jola, C., Pollick, F. E., & Reynolds, D. (2011) Editors of special issue ’Dance and neuroscience: New Partnerships’ in Dance Research Electronic. 29.2

2010

Jola, C. (2010) Research and choreography – merging dance and cognitive neuroscience. In B. Bläsing, M. Puttke, & Th. Schack (Eds.), The neurocognition of dance. Mind, movement and motor skills (pp. 203-234). Psychology Press: Hove, UK.

2008 and before

Jola, C. (2007). Movement intention: dialectic of internal and external movements – Reflections from cognitive neuroscience. In S. de Lahunta (Ed.), Capturing intention (pp. 62-67). Amsterdam: School of Arts.

Jola, C., & Mast, F. W. (2005). Dance images. Mental imagery processes in dance. In J. Birringer & J. Fenger (Vol. Eds.), Dance and cognition (Vol. 15, pp. 211-232). Münster, NRW, G: LIT.

Funding

GRANTS AWARDED / FUNDED RESEARCH
  • 2013-2014 Labex Arts-H2H (France).Project leader A.Bachrach. € 43’869 (2013).
  • 2012 Santander fund (UK) £ 2’000.
  • 2011 Pump Priming fund (UK) University of Surrey, £ 6’000.
  • 2008 Rebekka Skelton Foundation (UK) £ 600.
  • 2004-2006 Research Fellowship from the Swiss National Science Foundation (SNSF) CHF 94’800.
  • 1997-1998 German Association for Academic Exchange (DAAD) 12’000 DM.

Outreach

My research findings on the effects of visual expertise on motor simulation when watching dance has attracted much attention in the wider public. Numerious interviews have been published internationally (i.e. The New York Times, Radio Germany) and my research has been featured in a documentary French-Taiwanese co-production (the Taiwanese version is on youtube here).

Through my work as a choreographer, my scientific research also transpires into the artistic world of dance. I enjoy very much interacting with inquiring minds from a variety of backgrounds. For more details on my artistic works see www.CoCoDanse.com

Recently, Lynn Parker and I participated in the Dundee Park Festival organised by the Scottish Dance Theatre with an interactive dance installation "Everybody Moves". 

Scientific presentations and other interviews that are freely accessible online: